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Turckheim Office
Unterlinden Museum
Adress :
1 Place Unterlinden, 68000 Colmar
Locate
Opening hours :
Open all year round except 01/01,20/01, 01/05, 01/11 and 25/12, 9 am to 6 pm (closing at 4 pm on December 24 and 31).
Jours d'ouverture et horaires
From November 2nd 2025 to December 31th 2025
Start hours
Open all year round except 01/01,20/01, 01/05, 01/11 and 25/12, 9 am to 6 pm (closing at 4 pm on December 24 and 31).
Closed on Tuesdays
informations
Theme
Archaeology
Modern art
Decorative arts
Graphic arts
Fine Arts
Ethnography
History
Photography
Science and technology
Disabled friendly
Yes
Tourism & handicap label
Mental
Motor
Durée de l'activité
Half-day
Public ciblé
Adults (individuals)
Couple
Families
Groups
Groups of children
Schools
media
Tarifs
| PRIX | |
|---|---|
| Adults: 14 € - Reduced admission: 12€ - Youth admission: 9€ from 12 to 17 years old included, students under 30 years old € |
Rate
Rates
Adults: 14 € - Reduced admission: 12€ - Youth admission: 9€ from 12 to 17 years old included, students under 30 years old
Avantages tarifaires
Free for children (age limit)
12
Fixed price package for families (minimum number of people)
4
Group (minimum number of people)
15
Other special offers
11 € for seniors citizens
Moyen de paiement
Credit card
Descriptif lieu
A visit to the Unterlinden Museum covers nearly 7,000 years of history, from the prehistoric era to 20th century art. Whilst travelling in time, visitors can also discover the multiple facets of its architecture, which have been unified and enhanced by the architects Herzog & de Meuron.
The Medieval cloister presents the art of the Middle Ages and the Renaissance, with works by the likes of Martin Schongauer, Hans Holbein and Lucas Cranach, as well as the museum’s great masterpiece, the Isenheim Altarpiece (1512–1516).
The former baths building inaugurated in 1906 provides a perfect space for temporary events, whilst the works of major 20th century artists such as Monet, de Staël, Picasso and Dubuffet have a new showcase in the contemporary wing.
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